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Simple pricing. No surprises.

Every pantomime script costs £60 per performance. That’s it.
Example: Four performances (eg: three evenings plus a matinee) = £240 total.
* No VAT
* No hidden fees
* No seat capacity charges
* No extra script costs

Clear, fair, and easy. No sneaky extras. No hidden tricks. Just the magic of pantomime at a fair price.

PLUS FREE - The inclusive Bundle.
*Free full PDF file for you to print from.
*Free editable .docx file if needed.
*Free video licence.
*Free Professional poster artwork with space for your details.

 

Ask for a full script by email - nigel@PantomimePantomime.co.uk
stating your name, stage company and internet presence.

 

My very sensible TERMS & CONDITIONS can be viewed HERE

 


 

Nigel Holmes has been writing for over 40 years, with his pantomime scripts staged in hundreds of theatres across the UK and internationally, from Hong Kong and Singapore to Dubai, Australia, Canada, and America.

His career has been nothing short of eclectic: designing scenery for Elton John at Wembley Arena, creating promotional materials for Paul McCartney, judging the UK heats of Miss World, appearing on children’s television in Scotland, and stepping into the spotlight as Ring Master in a travelling circus.

Along the way, Nigel has collaborated with prestigious venues including London’s Royal Albert Hall and Abbey Road Studios, made appearances on national TV and radio, and shared stages with world-class performers at major festivals.

Beyond pantomime, he is the author of 16 books and hundreds of magazine articles. A lifetime of creativity distilled into every script he writes.

Not bad for someone who insists he’s a quiet chap who avoids the limelight.

 


 

UNSOLICITED QUOTE:

Keith Spitalnick, Pantomime Director at Salón Varietés Theatre, Fuengirola.

"Once again, I’ve had the joy of working with the brilliant Nigel Holmes, whose scripts have been the backbone of all my pantos. Nigel has an unmatched ability to take a beloved classic, twist it inside out, add a sprinkle of madness, and still keep it wonderfully heartfelt. When I first read this script, I knew instantly that we were in for a treat. The humour leapt off the page, the characters were bursting with personality, and the jokes? Well… let’s just say some are so bad they’re good. (And some are
just bad—sorry, Nigel.)"